Temple blocks are a type of percussion instrument consisting of a set of woodblocks. It is descended from the Wooden fish or wooden bell, an instrument originating from eastern Asia, where it is commonly used in religious ceremonies.
The sound of temple blocks is similar to that of normal woodblocks, although temple blocks have a darker, more "hollow" timbre. In their most common configuration of five, temple blocks are typically tuned to a pentatonic scale. Chromatic and diatonic sets have also been made. Despite this, they are not commonly treated as pitched percussion.
Temple blocks are often used as , such as in Leroy Anderson's "The Syncopated Clock" and "Sleigh Ride" where they mimic a ticking clock and a galloping horse, respectively. They can also be used to reinforce the melody. John Barnes Chance's Incantation and Dance and Variations on a Korean Folk Song both have temple blocks introduce and double the motifs that appear within the music, with the latter using the pentatonic nature of the temple blocks to evoke the sound of the Orient.
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